Tuesday 22 March 2011

Art director’s treatment

The locations we used were chosen to fulfil film noir style conventions The interior location (film studio) has curtains lining the walls, they created a really interesting visual effect when the spot-light was turned on with a stripy light and dark pattern not unlike the venetian blind effect used in classic noirs. The empty, vacant spaces of the room are filled with darkness so it’s difficult to tell how big the room is and the function of the room is unknown to the audience, the only clue is the table and chair but it still doesn’t tell the audience exactly where they are, this sets up an enigma. The exterior location of Grimwade Street was chosen because of the boarded up building and graffiti, the rough down-and-out looking street Matt walks down matches the conventional noir settings of dodgy back alleys and drab streets.

The small spot light we used was the only source of light in the interior location, this use of key light made deep long shadows contrast with bright (almost) overexposed pools of light, the overall result made average shots look moody and interesting. The exterior location had no artificial lighting, all natural, this made the outdoor shots look bland and flat compared to the indoor shots.

The props we decided to use changed a bit from our original plans, in our brainstorm sessions before shooting we wanted to use a toy gun but later agreed that it was not an appropriate prop to bring in to college and was not as realistic as a garrotte wire. The cord we used turned out to be a much better choice in the end as it gave the actor a good chance to interact with it and perform through it, like winding it around his hands and fingers to build suspense, it was more flexible and safer than a plastic gun. The blood was Burger King ketchup, we wanted to get enough on his hand to be dramatic and shock the audience but not so much that it would effect the classification, I think we achieved a good amount as it is not over the top but enough to be disgusting.

The costumes of the feme fetal and hitman are very different from each other, this was done to highlight the two extremes of film noir, the classical old-school noir and the modern neo-noir. The dead feme fetal has a fur coat and red dress, this stereotypical conventional attire puts her into an easily recognisable role so the audience understands who she is. Matt the hitman is wearing more modern normal clothes that don’t reveal much about him, he needed to be more of an enigma than the dead woman so we thought he should be more neutral and unassuming.

Story Board for Hitman Production (Pg 1)

Story Board (Pg 2)