Tuesday 5 October 2010

The History of Film Noir


Film noir is a cinematic term used to describe Hollywood crime dramas, particularly those that emphasize cynical attitudes and dark characters. Hollywood's classic film noir period is from the early 1940s to the late 1950s but there have been a few modern films that could be described as neo noir, like Brick (2005).

Although Hollywood made a lot of movies about crime and gangsters in the 40s the term “Film Noir” was not a genre or a name people were familiar with until the 50s when Europe was exposed to the American film industry, before then the films we know as noir classics like double indemnity or detour were put into a category called “pulp fiction” which developed the idea of hard boiled anti-heroes, or were thought of as crime thrillers, it was a French film critic called Nino Frank who first coined the phrase Film Noir. It was these genres that would be the building blocks of the noir genre.

During the Second World War a lot of European Jews fleeing from the Nazis settled in America, here is when German expressionism was first adopted and became a major part of the Noir stylistics. The representation of women was characteristic of the times of the early 20th century when traditional masculinity was threatened by previously oppressed females taking men's roles in life as bread winners, go-getters and ambition chasers after they got a taste of working life when the men were away at war. In the 1930s, women with such characteristics were seen as dangerous and script writers and directors took advantage of the stereotype and gave the world some leading ladies you wouldn't want to meet in a dark ally.

B-movies were another influence in creating film noir, B-movies were cheaply made and had unknown cast members so they were not as regulated as the more popular A-movies, consequentially directors had more freedom to make darker plots and use their own stylistics.

Monday 4 October 2010

Examples of Noir Films

Double Indemnity: 1944 Directed by Billy Wilder
A salesman of the Pacific All Risk Insurance Co. Walter Neff meets the seductive wife of one of his clients, Phyllis Dietrichson, and they start an affair. Phyllis proposes to kill her husband to receive the prize of an accident insurance policy and Walter plots a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead the police accept the evidence of an accidental death. But the insurance analyst and Walter's best friend Barton Keyes does not buy the version and suspects that Phyllis has murdered her husband with the help of another man, not suspecting Walter. Its a cynical, witty, and sleazy thriller about adultery, corruption and murder all usual characteristics of a film noir. Written by Claudio Carvalho

Sunset Boulevard : 1950 Directed by Billy Wilder
Attempting to elude creditors, down-on-his-luck Hollywood scriptwriter Joe Gillis (William Holden) pulls into the driveway of the ramshackle mansion of Norma Desmond (Gloria Swanson) on a stretch of Sunset Boulevard. Norma is a former matinee star from the silent film era and is now a recluse at the house where she lives with Max her all-around attendant. Norma hires Joe to write a screenplay from a stack of handwritten pages she has scratched out for a film of Salomé which she has written to get her return to the screen. Joe takes on the assignment because he needs the money to pay his creditors, but when Max moves all of Joe's possessions into the house on Sunset Boulevard he begins to feel trapped. Needing to finish the script but needing friendship Joe leaves one night to visit his friend Artie Green where he accidentally bumps into studio reader Betty Schaefer. Betty and Joe are attracted to each other immediately but Joe runs back to Norma due in part to his warped sense of loyalty to the older actress. When Joe falls in love with Betty Schaefer, Norma becomes jealous and completely insane and her madness leads to a tragic end. Sunset Boulevard is notable for the atmospheric film noir cinematography of John F. Seitz. Written by Claudio Carvalho